My photography is rooted in observation, failure, and repetition. I work primarily with analog, instant, and hybrid digital processes, using everyday landscapes, overlooked spaces, and banal moments as raw material. Social and physical environment…suburban sprawl, infrastructure, residue, and quiet contradictions…often becomes both subject and collaborator.

I’m less interested in resolution or spectacle than in slippage: where images break down, chemistry misbehaves, or intention gives way to accident. Through abstraction, sequencing, and book-making, the work becomes a record of looking slowly and imperfectly.

Photography, for me, is not about capturing a decisive moment, but about staying with uncertainty long enough for meaning to leak through.